Friday, 28 November 2014

Blog post 11 - Emil Nava - Case Study 2



Emil Nava is a freelance music director who has directed many music videos for huge artists such as; Jesse J, Calvin Harris, Neyo and Ed Sheeran. He began his career as a runner for different production companies. He started off as a runner for Blink productions and now works as a freelancer for OB management.

After working as a runner, Nava graduated to become assistant director and it would be his responsibility to manage video shoots. Nava then signed to the Academy which is the biggest music video production company, he struggled while working with the production company as the stakes were very high, it was documented by Nava that he was consistently working in the office and always pitching throughout the week. After a strenuous time at the company, Nava left the organisation and joined with a company called 'Between the eyes' and now mainly works with Pulse, a production company situated in London.


Kid British - Our House 

Emil Nava's first production was for the Band "Kid British" and their track "Our House" for a budget of £20,000 and the music video was shot in Manchester and only consisted of one full day of filming. The cast involved in the video were local people and were not casted from casting agencies or professional performers. Furthermore, there were only 10 days of pre-production and 2/3 days of post production and editing the video. This demonstrates the tight time scale involved and the making and construction of music videos. 



When assessing this video it is clear that the budget was limited based on aspects such as the mise en scene and the lack of items and objects that would knowingly cost a great amount. It was quite a simplistic video filmed in an area that does not appear to be of high prestige and costly in nature. However, what is good about the location and the mise en scene is the fact that it relates well to the lyrics of the song and the general message extracted from the song as a result of this.

Nava on being a music video director


This interview says a lot about the music industry. It shows that it doesn't necessarily matter if you are not completely qualified and you can work your way up from the bottom and Nava did to be successful in this creative sector.

Jesse J - Wild



Jesse J - Wild was filmed by Nava and shows how his career has progressed from that of simplistic and rather low budget independent music video maker to a successful film maker of commercial artists such as Jesse J. When assessing this studio based video, the idea of the video seems to be to place emphasis on Jesse J with a pure white studio background which relates well to the content of the film in the sense that she is talking about her life and where she has ended up and how she has reached fame. Her iconic outfits and the purity of the studio represents the idea of fame and fortune and Nava has done a good job in directing the content of the video in the sense that he incorporates the supporting artists into the video to a great extent and allows the same message to be portrayed through these men.

A combination of different shot types and using at least three different locations between the shots and the editing of the shots to the tempo of the music makes for a successful music video where Jesse J and her supporting artists are represented well and the video depicts their image in relation to the content of the song.

Nava and Adverts

Nava once had a very busy time within the industry, one year he was assigned to shoot 24 videos. When he was working with independent artists and labels, the budget for a music video could be as low as £5,000 to £10,000. This would mean there would be limited amount of freedom when directing music videos and Nava would constantly have to keep in mind the fact that he was working with a budget so some of his ideas might have to be scaled down and not too ambitious.

His largest budget video to date now was a Jesse J music video which had a "price tag" excuse the pun of £160,000. The behind the scenes of this video can be seen below;



Emil Nava also progressed to begin to make advertisements to exult his versatility and progress as a production director. Although his main directing ideas and desires related to music videos. Nava felt the desire to broaden his skill set and direct advertisements for different companies in order to make a greater deal of profit as a freelance director and also gain knowledge and skill in other areas of the industry.  Although adverts have a higher budget than that of production, it allows for far less creative freedom which could be a challenge for Nava to adapt to. This is one of the adverts Nava directed and which was televised for the company;

L'oreal Feria 2012 - Dare to be Different




There are features of this advert that mirror that of features found in music videos and more specifically in Nava's work. The studio based personna of the advert can be related to Jesse J - Wild where she was also in a studio and interacting with a camera. There is also quite an upbeat and vibrant soundtrack in the advert where it can be argued that Nava incorporated this to conjure an impacting affect on the audience. This would make the audience remember the video and effectively feel more inclined to go out and purchase the hair product.

Ed Sheeran - You need me




This video is a very effective and unique video. The use of the dark and and slightly illuminated studio allows for the performance of the video to flourish through its simplicity. The unique style of the sign language performed by the assumingly death teenager is an original idea and really makes the video memorable for the audience. This effectiveness is assissted through the witty idea to incorporate inanimate objects within the shots that correspond with the what Ed Sheeran is saying in the lyrics. Furthermore, the interaction between the close up and medium shots is efficient for the nature of this specific video as it keeps supports the idea of keeping the video fairly simplistic. It is clear that the features of this video correspond with other Emil Nava music video's such as Jesse J - Wild with the studio based setting. This would make it easier to identify work that has most likely been done by Nava.





Wednesday, 26 November 2014

Blog post 10 - Jamie Thraves - Case Study 1


Jamie Thraves is another prestigious director who has directed many music videos for different artists both group and individual as well as some major and some on a less major scale. He started off his career through making short films at University and when one of these films was highlighted for its quality, he exploited its award winning status by placing a foot in the door in the industry through the production company factory films. After this, Thraves was given the tools to create  3 very low budget music videos which cost about £5000 each.


As known in the music video industry it is very much a dog eat dog world. This means that each job is paid on commission and the stakes are very high in relation to what directors need to do to get jobs. Thraves submitted two treatments for his most well known music videos.

Radiohead - Just

This was Thrave's first music video which was capped at the budget of only £100,000 which is minute in comparison to large scale music video projects. This meant that Thraves had to consider what he could and could not do keeping in mind his restricting budget. To further this, Thraves only had three days to complete the music video which meant that work was excessive and intensely full on.




This video shows Jamie Thraves creative talents and his unique style of music videos. It is an oddity and Jamie has done an excellent job in portraying the abstract nature of the video. The features of the video conform to Goodwin's theory of performance within and stage performance specifically in a rock or metal video. There is no sign of Mulvey's theory of the male gaze and this brings up the idea that sexualised depictions of women by the media are more prominent in specific genres.

 

Japanese Popstars - Song for Lisa

This was Thrave's 2nd music video and had a budget of £20,000 and was also shot in three days. Jamie has used music videos to break into film and has created three feature films.



Thrave's argues that there is importance in using the lyrics but not being too literal with the content of the video. He argues that the most important thing is to go with the emotion of the lyrics.


Friday, 14 November 2014

Blog post 9 - Katy Perry


Katy Perry is an iconic role model and inspirational figure for young adolescent girls where much of the content of her music videos relate to the anxieties and problems that young girls often experience during their teenage years. This reaching out to and appealing to this specific audiences allows girls to be inspired by Katy Perry's music and image. This can further offer comfort to women who need that boast in self-esteem and who need to develop security within themselves facing problems that Katy Perry addresses within her music.

Hot and Cold



In her video "Hot and Cold," Katy addresses the problem of how men can be very volatile with their emotions and feelings, and as a result of this, upset the feelings and emotions of women with little regard from men to how they make ladies feel by doing this.

On analysing the video, it is evident to see that although Katy plays the role of a distressed and upset bride who appears to have just been rejected by her groom, she is still able to maintain a non-voyeuristic yet sexual appearance, all the while being appealing to her young female audience. This is effective because men who view the video are appeased as Katy Perry and all her supporting dancers still uphold a strong degree of sex appeal while in a darker way men are placated by the way the video shows how men often have power and control over situations such as this and empowers them while watching the video.

Despite this, the video reaches out to its main target audience as adolescent girls and young women where it identifies with what they may have experienced and might be feeling at that specific point in time. This gives them reassurance where they feel they are not the only one experiencing problems such as this. It doesn't matter whether it is to the extent of the problem in the video or their problem is similar but on a much more subtle basis.


Last Friday Night

This is another iconic Katy Perry video in the essence that it directly appeals to the teenage female audience where it helps them reflect on problems that they might be experiencing throughout school or college. She appears as a teenage girl who society would notoriously perceive as an outcast or someone who one would not suspect to be in with what is known as the 'cool kids' who condone and attend massive parties such as the one we see in the video.



The message of this video must be assessed on a more subtle level in regards to how Perry's audience would interpret the video. Young teenage girls who feel like they do not entirely fit in are empowered by the content where they feel like they can be as sociable and outgoing as Katy Perry in the video. This is effective and yet again boosts her audiences 'self-esteem.'

The bright pink mise en scene also helps to appeal to the young female audience as it is a popular colour with this specific group. This helps make the video light-hearted and proliferates the fun that is experienced while watching the video as the audience.

On analysing the effectiveness this video has on its audience, it is clear that it gives people a chance to escape into a world of fun and almost re-live memories of the past for older generations. It also shouts the slogan "young, wild and free"which can be helpful to the younger audience as they can identify with this while watching the video.



Katy Perry - Firework





Katy Perry firework is another very inspirational music video with a very strong message for its audience. It highlights the idea that everyone is equal and has the opportunity to explode with their greatness. This means that the video empowers people to exhibit and celebrate themselves no matter what they have encountered in life. The content of the video is effective in representing this message with a strong mise en scene and efficient use of camera angles and shot types.

The video upholds one solid shot of Katy Perry standing rather solitary high up above the streets on a balcony in a white dress which is a representation of her purity. We are subject to witness many different seperarate storylines within the video of people facing adversity which are very common in society. This allows her audience to identify with the content of her video to a firmer degree based on the fact that she has personalised the video to relate to the audience and by the message of the video being the idea of overcoming these problems, people can be inspired by her videos.

Despite the fact that the video is not voyeuristic in nature, Katy Perry still has a certain degree of sex appeal with features such as her make up and many close up shots throughout the video. However, what is more prominent than this is the idea that Laura Mulvey's theory is not overpowering within the video and we see less women represented as sexual objects if we were to compare the features of this video to the features of a video such as Rihanna - shut up and drive. Moreover, the video addresses issues such as domestic abuse from different perspectives and also issues such as homophobia.



Katy Perry - California girls





This is one of the most controversial Katy - Perry videos and it is argued by many critics and even her fans that the video is contradictory of her previous videos in the sense that California Gurls is much more sexualised than any of her previous ones. The video does conform to theories such as the Mulvey theory and does uphold a voyeuristic representation of women. The message taken by the audience from this video is also juxtaposed to her previous work. She is talking about women in a sexualised way, and the innocence of a "candy land" is contrasted by Katy and her supporting women having sex appeal to the audience. These are many reasons why this particular song, made huge amounts of speculation in media circles and caused much controversy and discussion.

The idea that Snoop Dog is leading the game and is in control of the many women in the video is evidence to how it conforms to the Laura Mulvey theory of male dominance within media texts and the male gaze which represents women in a voyeuristic way. Also, some of the lyrics in the song read by Snoop Dogg contain some very demoralising content towards women which undermines them as almost objects for sexual pleasure. This is further supported when assessing the costume the women are wearing throughout and the mise en scene in the video. We witness many girls in candy stylised bikini's with cherries to give implications of nipples, which are highly associated with sexual ideas, and also at the end of the video we see Katy Perry fire cream from the positions of her two breasts. Again this provokes sexual thoughts and is appealing especially to a male audience.

However, this is overshadowed by the sequence in the video where Katy Perry is naked in the pink clouds. This would undoubtedly placate a male audience and provoke sexual thoughts in relation to Katy Perry as her behaviour matches her image where she is acting and moving in a sexualised way.
This shows the direct contrast between this video and her previous work where most of the target audience was young and adolescent women or a united world as a whole.

Overall, although this video has many sexual and voyeuristic elements, it is rather successful in the sense that the song is very catchy and is of high quality. Despite this, Katy Perry addressed the problems surrounding the video and there is clear change in tune within her following work.



Katy Perry - Wide Awake




California Gurls and Wide Awake are argueably the two most juxtaposed music videos placed next to each other by the same artist. The sexualised and voyeuristic nature of California Gurls is diminished by that of the dark and rather subtle nature of Wide Awake. The message recieved from both videos is also greatly contrary in either video. Within Wide Awake, we recieve Katy as almost reflecting on past mistakes and addressing the fact that it is time for change. There are certain implications that Katy is experiencing difficulties or problems within her personal life or issues surrounding her as an artist and these issues appear to be addressed within the lyrics of the song and the content of the video.

At the beginning of the video the audience witness Katy on the  set of the California girls music video during the scene where she is naked on the cloud. This is significant because the message of this video is how she has made mistakes but now she is clear headed and ready to conquer and learn from these mistakes. This implies that the California Girls video was a mistake and she is ready to change now and not conform to the pressures of the industry and what they require her to do. At the end of the video we see katy emerging on to stage about to perform her next track, this implies that she has moved on and is back to "herself" for better words.

The technical aspects are effective where there are simple close up shots on Katy Perry's face accompanied with a medium shot of her back which is contrasted to the quick paced multiple shots from California girls. The mise en scene is dark and dim which is contrasted to that of California girl's bright and exotic setting. There is also a part of the video where Katy Perry punches a man depicted as a Knight and shining armour which is suggestive of Katy Perry doing this in real life.

Thursday, 13 November 2014

Animatic

The Animatic



This is the animatic of our storyboard in the planning of our music video which will help us when we come to shoot our video in the lead up to christmas.

Wednesday, 12 November 2014

Storyboard


This is the storyboard we made for our music video, this will help us when it comes to the filming process of the coursework as it will be clear what shots we need to take and how to execute each shot precisely to how we planned it. Overall, our storyboard is extremely relevant in relation to the planning of our music video, where it gives us direction in finalising our video.



Tuesday, 11 November 2014

Lyrics to song

YOU GOTTA BELIEVE
From the time that we met baby
I could tell you had things that a guy like me needs
You didn’t have to front just to make an impression
So my feelings followed you through a natural progression
Now you hold all my dreams inside, it’s true
So I wish I could lay beside of you
It’s your personality that I miss when you’re gone
So strong, I gotta sing you this song, baby baby baby

Girl this is just to show I care about you
And you can guess those things that I wanna do with you
Wish that it could be that you were here with me babe
You gotta believe, woah woah woah woah

I must deliver on my word
Because we had arranged to meet up and get down
You give me something to brag about baby
Just cause you want me around
All I hope is to be gentle but strong
I don’t know what is right but this ain’t wrong
See darling you have got me blissing, I smile from ear to ear
And I’m gon’ be right here singing to you

Girl this is just to show I care about you
And you can guess those things that I wanna do with you
Wish that it could be that you were here with me babe
You gotta believe, woah woah woah woah

I didn't know baby, the affect of your heart on me, no-no
Don't you know I still see the light, no matter how far apart we may be

Chorus

Shooting Schedule

Shooting Schedule
Day
Scene
Location
Equipment
Costumes
Props
Cast +Crew
1




2



London Eye






Winter Wonderland
camera and tripod






  camera     
 and tripod  
Christmas jumpers and normal jumpers, black jeans, beanie and white t-shirt.(girl)...nice shoes, dressed up hair and make up done and nice winter clothes.
jeans, shirt, jackets and hats.
microphone






microphone
Stacey Talbot,Laura Bankole, Michael Rhodes, and Royce Balogun




Stacey Talbot, Laura Bankole, Michael Rhodes, and Royce Balogun  

Shot List


Shot List

Scene
Shot Number
Description
Scene 1 (shots 1-4)


Scene 2 (shots 4 - 8)

Scene 3 (shots 9 - 12)

Scene







 1

2

3

4

5

6

7

8

9

10

11

12

13

14

15
1. Medium Shot, Michael at 
home calling girlfriend breaking up with her. 
2. Long Shot, Royce singing in a band room 
3. Long/Medium shot Michael walking out of his house and towards the train station
4. Medium shot Switch back to Royce in the music room with instrument and microphone
5. Low Angle Shot of Michael coming out of the station looking around the surroundings 
6. Series of close up, medium and long shots of Royce in the music rooms. 
7. Long Shot and eye line match of Michael finding the person he was looking for in central London. 
8. Medium shot of Michael in discussion with female he meets, apologetic and affectionate at the London Eye
9. Close up/Medium shot Royce in the Studio 
10. Long and medium shots, Flash back to good times at Winter Wonderland with the couple hand in hand 
11. Close up, Back to the location with Michael feeling down about what he done to his ex girlfriend, she walks away
12. Wide shot, Royce at Studio
13. Long and Medium, Michael is at buckingham Palace waiting for her to meet up with him. 
14. Close up of each of the band members and their instruments. 
15. A range of different shots in between several locations to show the woman taking Michael back 

Costume and Props


Character Name: Royce
Costume:Christmas jumper, black jeans, beanie, and a white t-shirt






Props:
Character Name:michael
Costume: wooly jumper, beanie, black jeans and a white t-shirt







Props:
Character Name:girl
Costume: matching christmas jumper, jeans and heels







Props:

Risk assessment

Group Members:Stacey Talbot, Michael Rhodes, Royce Balogun & Laura Bankole         Location: London
Hazard
Person(s) at Risk
Likelihood of Hazard
1 – Extremely Unlikely
5 – Extremely Likely
Severity of Hazard Outcomes
1 – Very Low Risk
5 – Very High Risk
Risk Level
(Likelihood + Severity)
2
Measures to Take to Manage Risk
Risk Managed?
Y/N
Open fires
4
2
1
3
Make sure that you are a few feet from the fire
y
Tripping on wires
4
3
1
4
To make sure you don’t trip and hurt yourself
y
Loads of people
4
3
3
6
You could be trampled on.
y
Fall in the water
4
2
2
4
The water is open
y

Contacts

Emergency Service: 999       
Robert Clack School:
017086143738Other Contacts:            079781635893

Location sheet


Location Visit Sheet

Programme Title: Excellent Gentlemen
Writer:Stacey Talbot, Royce Balogun, Laura Bankole, Michael Rhodes
Producer:Stacey Talbot, Royce Balogun, Laura Bankole, Michael Rhodes
Director: Laura Bankole
Date: 2/12/14






Rough Sketch/Explanation of location and key points to note
German Market, Christmas Lights, Ice Rink, Roller Coasters.

Access to location via: Hyde Park Gate, getting off at  Marble Arch Station  


Name and number of location contact:
Hyde Park Winter Wonderland
Victoria Park Winterville


Health and Safety Issues to note:

·       Be careful when travelling
Potential Filming Problems :

·       Camera getting wet
·       Not being allowed to film in certain areas











Additional Notes:  (map of area/weather forecast etc)